1981 - Too Fast For Love.
1983 - Shout At The Devil.
1985 - Theatre Of Pain.
1987 - Girls, Girls, Girls.
1989 - Dr. Feelgood.
1994 - Mötley Crüe.
1997 - Generation Swine.
way more Helter Skelter.

November 10, 1981 - 2021: 40 years of: Too Fast For Love.

The birth of rawknroll !

West-Hollywood in the 80s: Ground Zero for rebellion and hardrock showmanship. Still ablazed and dazzled by the almighty untouchable VAN HALEN, from the trashed back-alleys, led by a rabid Nikki Sixx, comes the new kids on the block.

Leather ...check,
Chains ...check,
Pentagram ...check,
Switchblade ...check,
Power drug induced and rough punk-attitude ...CHECK !

Pushed and shoved to new levels, the opening-cut "Live Wire" is an Americanized-NWOBHM explosion. Double-bassdrums, deep rumbling bass, a burning guitar-riff and the raging voice of a very young Vince Neil. The initial and dangerous heavymetal MÖTLEY.

All cylinder keeps on pumping diesel with "Come On And Dance", another metal-riff supported killer, while the speedy "Take Me To The Top" brings more crunch into the crunch-department. The title-track is another slick street throat-cutter, while the powerballad-y "Merry-Go-Round" displays some sweet melodies that would later bloom deeper into their 40+ year career.

Originally independently released on none other than the band's own shoe-string-tiny-budget Leathür Records, the buzz was instant and all copies flew within weeks. Major-label Elektra Records finally came aboard and the rest is part of feelgood rocknroll-history.

The flair,
The sound,
The attitude,
The bad-assery,
The CRÜE's rage and aggression would bleed profusely again on 1983's darker and metaller, the eventual P.M.R.C.-feared Shout At The Devil LP.

Live Wire = video
Too Fast For Love = full LP
Interview in 1981
Live at the Starwood in 1981

September 23, 1983 - 2023: 40 years of: Shout At The Devil.

Sunset Strip is on fire.

Blazing hot after 1981's grimy Too Fast For Love LP, MÖTLEY CRÜE were the roughest bad-asses around. From back-alley punk fights to dark-mythology ...come on and dance with the Devil.

Welcome to the black sabbath, as "In The Beginning" spoken-word intro sets the pace for a revolution. Loud and louder, children of the beast now "Shout At The Devil", one of the best arenarock / hardrock ever put to tape. This new rebellion is focused, it's got the "Looks That Kill", a metal-track with machiavellian means, while "Knock 'Em Dead Kid" and "Ten Second To Love" are full establishment bullet-proof.

These creatures of the night eyes on their prey, even as most of them are "Too Young To Fall In Love" ...and the eventual P.M.R.C.'s Filthy Fifteen hit "Bastard" redefines hard edged no-frills rocknroll. The LP's closer, the morbidly beautiful ballad-rock "Danger" is a midnight-must while the supercharged BEATLES reprise in "Helter Skelter" most probably made Charles Manson a happier camper.

KISS's horrorific domination had been left vacant since 1978 and it was finally time for scary rock to make a comeback. After their iconic May 1983 US Festival performance, this crew was the hottest ticket in Tinseltown. Loved by the rockers and feared by the L.A.P.D., things did got outta hand. Pushing the sex, drugs and rocknroll agenda to it's fullest extend, 1983 would be Ground Zero for the now renowned Los Angeles hardrock-scene.

Between RATT, DOKKEN and QUIET RIOT ...the evil-er MÖTLEY CRÜE were now the Kings of the First Wave Of Californian Hard-Rock. Simply put: Hell on Earth ...welcome to generation swine !

After raising hell, literally, on tour with heavymetal's Godfather Ozzy Osbourne and RIAA-certified 4x Platinum, the band would take an almost 90º turn into the pretty glamorous side of rocknroll, with 1985's colourful MTV-busting Theatre Of Pain LP.

"Read this: Shout At The Devil, it doesn't say Shout With The Devil." - Nikki Sixx to religious freaks https://www.youtube.com/watch?v=_qpjaALFD6I

Looks That Kill = video
Too Young To Fall In Love = video
Shout At The Devil = full LP
Nikki Sixx Donington interview in 1984
Live in Quebec City in 1984

June 21, 1985 - 2020: 35 years of: Theatre Of Pain.

From gutter-punks to glam-rock centerfolds, the world's most dangerous hardrock-band were on the verge of superstardom.

MÖTLEY have been terrorizing America and ruling The Strip since the Summer of '81, but Theatre Of Pain, their 3rd effort, finally opens-up the flood-gates to a new hungry rock-crowd. "City Boy Blues", "Fight For Your Rights" and "Keep Your Eye On The Money" all kick major asses, yet the point of no return is the heavenly powerballad: "Home Sweet Home" …the piano-epic not written by QUEEN.

The CRÜE were the shit and there are no stop-signs ahead. Rock hard mötherfückerz !!!

Theatre Of Pain = full LP

May 15, 1987 - 2022: 35 years of: Girls, Girls, Girls.

In 1987 MÖTLEY CRÜE didn't play rocknroll - rocknroll played MÖTLEY CRÜE !

The heydays of American hardrock, real ass-kickin' rocknroll: biker culture, unlawful activities, reckless attitudes and bohemian spirits ...let's celebrate the epitome of this movement with MÖTLEY CRÜE's finest offering: Girls, Girls, Girls !

The Sunset Strip debauchery started with VAN HALEN in 1978 and reached unprecedented highs (or lows) during the 1986-87-88-89 era ...it's still kinda hazy for me. Remember when being into hardrock was bad, bad as in good and when only the meanest badasses were into it ?

After being too fast for love shouters at the devil inside the theatre of pain, it was now time for the real CRÜE to shine: motorcycles, girls, whiskey, girls, drugs and more girls, this is just another day at the office for the Tinseltown-rebels. The LP is barebones hardrock with the most decadent vibe, during the US's most decadent times. A tale, written by four outlaws, that lived to tell: the 80s excesses and the good ol' ways of West-Hollywood.

Opening the party, the driving rattle of Sixx's bass on "Wild Side" grabs you by the balls and won't let go ...the perfect way to kickstart your heart. The themed strip-club title-track leaves nothing to the uncensored imagination. Meet me tonight at Tattletale, The Dollhouse, The Seventh Veil or world-renown Crazy Horse in Paris ...girls I'll keep you over-employed ! You can smell the mix of fuel and leather from the speakers ...to the dangerous "Dancing On Glass" about white-powder addiction, another heavy guitar-driven riff.

Onto the flip-side with the fast paced "All In The Name Of..." where Neil shouts about a naughty obsession while Lee destroys the kit, to the inevitable powerballad, the love / hate "You're All I Need" ...this time with a twist, a melodramatic cut that displays the band's other-side, the CRÜE's darkest song, ever.

All killers - no fillers - motherfuckers !

The LP also features some of hardrock's sleaziest lines: "Valentine's in London, found me in the trash" about Nikki's overdose and the pusher that left him in a back-alley garbage-bin. "She's only 15, she's the reason, the reason I can't sleep, you say illegal, I say legal's never been my scene" about ...well about you know what it's about. The P.M.R.C.'s hotline went red hot for this one !

On tour, everything went into XXX-overdrive: a little bit to the right, a little bit to the left, fuck it let's go 360°. T-Bone on top of the world: https://www.youtube.com/watch?v=Cl_J-JDIgbk

The CRÜE's anthics were so wild, that they had to clean-up, re-group and re-focus, just in time for 1989's pristine medical rendez-vous with the Dr. Feelgood.

AMEN !!!

Girls, Girls, Girls = video filmed at LA's Seventh Veil
You're All I Need = video
Girls, Girls, Girls = full LP
Interview in 1987
Live in Tacoma in 1987
30 years documentary

August 28, 1989 - 2019: 30 years of: Dr. Feelgood.

There are good bands out there, there are big bands out there, there are better bands out there ...and then there's MÖTLEY CRÜE !

The 1988-89 era is the summum for the hardrock movement, commonly labeled as the glamrock movement. The hair was huge, the Harleys were roaring, the scene was exciting and all the bands were at their creative peak and commercial-success: AEROSMITH, SKID ROW, L.A. GUNS, WINGER, BON JOVI, GNR, WHITESNAKE, POISON, W.A.S.P., THE CULT and even the immortal Alice Cooper had a hit under his belt ...what a fantastic time to be alive.

1989's pristine album Dr. Feelgood is synonymous with this era. Loud, fun and dangerously MÖTLEY ! The pinnacle of the band and the pinnacle of the scene, the Diamond-clad crown that firmly sits on the tail-end of the 80s decade ...it doesn't get any better than this ! The Doctor is in, Mister Bob Rock is behind the mixing-desk. Finally a producer that will properly capture the music and makes it come alive on record, this marriage was meant to be and Feelgood still stands as one of hardrock's best sonically produced record, ever.

Fresh outta rehab, weird though ain't it ? ...all four CRÜE members where now fully focused on one simple thing: kick fuckin' ass ! And asses where kicked, I'm talking about major Chart-topping, Platinum-selling, MTV-dominating, worldwide-touring and hell-raising kick-ass rocknroll ! Don't call it a comeback, but a perfect follow-up and companion to the divine 1987 Girls, Girls, Girls LP and this one is, once again: all killers - no fillers rocknroll !!!

Your prescription is in:

The dramatic T.N.T emergency-room sound-clip is the perfect intro to the destructive title-track "Dr. Feelgood". One of the CRÜE's most ravaging song, ever, as a new level of heaviness is unlocked with the full fat Nikki Sixx bass-rhythm and Tommy Lee's Earth-shattering eardrum-piercing percussions. A song about a badass drug-lord that owns the city and rules the streets, a somewhat wink to MÖTLEY's illustrious past.

How about a "Slice Of Your Pie" a monstrous boogie-vibed track that cleverly end with a BEATLES-esque outro ala "I Want You (She's So Heavy)". Another rock-punch is delivered with "Rattlesnake Shake" were we learn that "She's a sex machine, she keep's her engine hot, her motor clean", pure Vince Neil classiness. More sex is exposed on "Sticky Sweet" a Mick Mars mega-riff monster and the kinky bare-all tongue-out "She Goes Down"

The mandatory power-ballad "Without You" is a soul-searching experience, while the single "Don't Go Away Mad (Just Go Away)" will help you to get rid of those unwanted one-night mourning surprises. The LP would also spawn a new MÖTLEY-signature, the heavier and fast-paced "Kickstart My Heart". Taking cues from the thrashmetal genre, wrapped in punk-attitude and simple woh-yeah hooks, "Kickstart" would take a life of it's own and become one of hardrock's new ballsy anthem ...the last massive hit of the glorious glamorous 80s.

The CRÜE's titanic return would hit the road, starting with a warm-up at the historic Moscow Music Peace Festival in August 1989, the Woodstock of hardrock, along other rocknroll buddies: Ozzy Osbourne, SCORPIONS, BON JOVI, CINDERELLA and SKID ROW.

The CRÜE was on top of the hardrock food-chain, they could do no wrong, as the LP was selling, the crowd was chanting and the band was rocking, clean and sober, until the turmoil that led to Neil's departure in early-1992. 30 years later, Dr. Feelgood still feels good and stand on it's head as one of heardrock's defining release ...the soundtrack of a decadent generation !

Welcome to Jimmy's town !!!

Dr. Feelgood = uncensored video
Kickstart My Heart = video
Dr. Feelgood = full LP
Live in Moscow in 1989
Live in Kansas City in 1989
Interview a Solidrok en 1990
Live MTV Awards in 1990

March 15, 1994 - 2024: 30 years of: Mötley Crüe.

The party's over.

Vince Neil left, or was kicked-out depending on who you ask, yet it did't meant much by 1994's standards. The Seattle-effect had wiped the hardrock modus-operandi out of the industry's playbook. The new game is grimy, dark and melancholic ...MÖTLEY adapted. Yes the very same MÖTLEY CRÜE that brought us pretty Girls, Girls, Girls ways back in strip-club hopping 1987. Rock-world welcome aboard, for a very short time, ex-THE SCREAM screamer John Corabi.

The fat metal-tone and the fat pounding-drums beats eardrums into submission as "Power To The Music" rings aloud. More rawness attacks as "Uncle Jack" rips and on the serious ass-kicker "Welcome To The Numb". This new crew displays a darker side of heavyrock with the somber "Misunderstood", while the leading-single for "Hooligan's Holiday" shook MTV viewers with it's backstreet and gang / mafia related esthetics.

More metalized CRÜE shouts at the devil on the pile-driving "Hammered" and they even use the 90s thrashmetal-template on the freakish circle-pit bound "Smoke The Sky" ...all in the name of !

Even with a musically strong CD under their belts, 1994 cast aside the Sunset Strip rockers back to local average Joes, with zero commercial-return. The ensuing tour was cut to smaller venue-size ...to complete abrupt cancellation. It's not only about who's your lead-singer, it's about the scene and how the business steers said scene. Even another Doctor wouldn't probably had done better in the Charts.

Back to the drawing board, writing and preparing for another personality. Yet mounting pressure from Elektra Records arm-wrestled the band to re-instate Neil and rush into recording this reunion / modern MÖTLEY CRÜE: 1997's doomed to fail Generation Swine CD.

Hooligan's Holiday = video
Smoke The Sky = video
Misunderstood = video
Mötley Crüe = full CD
Rehearsals in 1993-94
MTV Interview in 1994
Live in Weedsport in 1994

June 24, 1997 - 2022: 25 years of: Generation Swine.

Another, new MÖTLEY.

After the '92 Vince Neil split, came the ultra dark 1994 self-titled Mötley Crüe CD. A left-field heavyrock record that definitely wasn't what the fans expected. In the post-grunge era, still with the Personality #9 title in mind, the to-be second John Corabi led CRÜE was rapidly cut short and politics brought Neil back ...in a very different crew.

"Huh Huh, destroy !"

The heaviest of metal for a CRÜE record as "Find Myself" drives the record into new territories. Loud drums and modern guitar tones, this is an angry band. The formula comes back on the punky "Anybody Out There ?", the street-thrash vibed "Let Us Prey" and the speedmetal influenced title-track "Generation Swine". This is an angry band.

On the wildside, the single for "Afraid" features obvious industrial-samples as well as on the nümetal flaired "Beauty", while the heavenly "Glitter" should've appeared on an actual pop-record. The revamped and pointless "Shout At The Devil '97" has modified structures, courtesy of keyboardist / record-producer Scott Humphrey.

Expectations were sky-high, the Doctor is in, Vince is back, so what went wrong ?

On paper the magic is there: Mars, Lee, Sixx and Neil ...but this is 1997 and every standards of looks and sounds in rock are being challenged. The 80s party-metal template was at the very bottom of the agenda and Generation Swine very rapidly fell down the Charts. Even if the record would've been a classic Girls + Feelgood exhibition, the market was sadly not perceptive to arena-rock.

To some extend, the Swine era was the beyond continuation of the Mötley '94-signature, but set in modern-times. The unstoppable CRÜE would come back, minus Tommy Lee, with 2000's real down to Earth ass-kicker New Tattoo CD.

"I'm a dick, I'm your Master, I'm a rock-n-fuckin'-roll disaster !"

Afraid = video
Shout At The Devil '97 = video
Generation Swine = full CD
Interview in 1997
"Live" on AMA in 1997
Live on Letterman in 1997
Live in Tokyo in 1997




US Festival


NEIL, Vince

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